Chick Corea Spain Transcription Pdf Writer

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Title: Spain Created Date: 4/2/2005 4:26:53 PM. Transcriptions of Chick Corea's jazz piano solos including Spain, Childrens Song, La fiesta, Sometime ago, Windows, 500 miles hight.


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Guitar Sheet music 2 Guitars (Duet)
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Download MP3(9 Mo) : interpretation (by CC)354x1103x

Instrumentation :

2 Guitars (Duet)

Style :

Flamenco

Arranger :
Publisher :
Kogan, Ilya (1963 - )
Date :2012
Copyright : - Copyright ? Ilya Kogan
License :
Alternative title :(improvisation part)
Added by ilya-kogan the 2013-11-28

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World music


Sheet music list :
› Balkan melody - 2 guitars, percussion
› Cultural balance - Guitar solo (standard notation)
› Havah nagilah - 2 Guitars (Duet)
› Remembering His Spanish Heart - Piano solo
› Spain by Chick Corea - 2 Guitars (Duet)


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  • Spain by Chick Corea (principal) - composer SHEET MUSIC
  • Spain by Chick Corea - LEONARD ANDERSON SHEET MUSIC

The story behind a modern jazz standardPlayers pictorial magazine models.

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The son of a trumpeter in a Dixieland band, the virtuosic keyboardist Chick Corea is revered as one of the principal alchemists in the fusion of jazz with rock, funk, and Latin music. After recording his seminal 1968 album, Now He Sings, Now He Sobs, he replaced Herbie Hancock as the piano chair in Miles Davis's band—the band that recorded such classic albums as Bitches Brew. Throughout his eclectic career, Corea has collaborated with vibraphonist Gary Burton and banjoist Bela Fleck, pioneered the use of the Fender Rhodes electric piano, and won 16 Grammys. In 1972 he founded the jazz fusion group Return to Forever, which he's steered through several lives—including Return to Forever IV, which recently concluded its 2011 World Tour. Here, Corea shares the original sheet music for 'Spain,' a composition for the group's 1972 sophomore album, Light as a Feather.

THE FIRST RECORDING took about three hours at a New York studio. This was in 1972, within the first year or two of Return to Forever's inception. Mitsubishi srk35gz-l1 manual. We were on the road continually, and we were adding music to our repertoire and preparing our second record. Our rhythm was pretty developed by then-Stanley [Clarke] on bass, Airto [Moreira] playing the trap drums, bringing his Brazilian touch to everything, plus my writing.