Beck Mellow Gold Rar Chomikuj Muzyka
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Artist
| Artist | BeckRelated artists |
| Album name | Mellow Gold |
| Country | 2012, UICY-25176, RE, RM, JAPAN |
| Date | 1994 |
| Genre | Alternative |
| Play time | 00:47:39 |
| Format / Bitrate | FLAC 5.1 835 Kbps MP3 320 Kbps |
| Media | SHM-CD |
| Size | 321.67 Mb |
| Price | $2.95 |
Play List
| ||||
| 01. Loser | ||||
| 02. Pay No Mind | ||||
| 03. Fuckin' With My Head | ||||
| 04. Whiskeyclone, Hotel City 1997 | ||||
| 05. Soul Suckin' Jerk | ||||
| 06. Truckdrivin' Neighbors Downstairs | ||||
| 07. Sweet Sunshine | ||||
| 08. Beercan | ||||
| 09. Steal My Body Home | ||||
| 10. Nitemare Hippy Girl | ||||
| 11. Mutherfucker | ||||
| 12. Blackhole - Analog Odyssey - Hidden Bonus Track | ||||
Related artists
Beck
Album
- 2017 Colors [2]
- 2014 Morning Phase [2]
- 2011 Rock 'n' Roll Party [2]
- 2010 Emotion & Commotion [2]
- 2006 The Information [2]
- 2005 Guero [4]
- 2002 Sea Change [7]
- 2001 Django [2]
- 1999 Midnite Vultures [3]
- 1998 Mutations [4]
- 1996 Odelay [5]
- 1994 Mellow Gold [4]
- 1991 Beckology [3]
- 1989 Jeff Beck's Guitar Shop [4]
- 1986 Flash Back In Field [2]
- 1976 Wired [6]
- 1975 Blow By Blow [8]
- 1973 Beck, Bogert & Appice [4]
- 1973 Live CD1 [2]
- 1973 Live CD2 [2]
- 1972 Jeff Beck Group [13]
- 1971 Rough And Ready [7]
- 1969 Beck-Ola [6]
- 1968 Truth [6]
Compilation
- 2008 Original Album Classics [2]
EP
Live album
Single
Soundtrack
Beck - Stereopathetic Soulmanure (1994) {Flipside}
EAC Rip FLAC with CUE and log scans 355 mb
MP3 CBR 320kbps RAR 168 mb
Genre: alternative, folk, country, pop
EAC Rip FLAC with CUE and log scans 355 mb
MP3 CBR 320kbps RAR 168 mb
Genre: alternative, folk, country, pop
Stereopathetic Soulmanure is the 1994 album by Beck Hansen, who is commonly known as Beck. This was the independent album he released after the major label album Mellow Gold, and is closer to the spirit that made people interested in him in the first place. Released by Flipside Records, there were two versions of the CD but this is the original version. The MP3's also has an additional track, consisting of an excerpt of the unlisted final track, 'Bonus Noise', as there's a portion with another unlisted song in between called 'Bend Over In The Clover'. This portion has parts of the slow either slowed down or in reversed. This portion 'fixes' it so it sounds as close to as he recorded it before tinkering around with the audio.
When Beck signed to Geffen Records and released his bristling, humorous, and crazy eclectic debut Mellow Gold he also managed to finagle a rather rare perk in the process. He convinced the major label to allow him to continue to release independent projects via smaller labels on the side. Hence his 'sophomore' effort, Stereopathetic Soulmanure.
While not a 'true' sophomore effort in terms of delivering brand new material, this album was a collection of recordings the artist had made between the years 1988 and 1993. Contrary to the somewhat polished avant funk/pop/folk/blues of his debut, the majority of the songs here eschew any sheen in favor of down-n-dirty, feedback heavy squonk. Hell, one only need go as far as the first track, 'Pink Noise (Rock Me Amadeus)' to get the gist of where Beck was at back in the day.
For the most part nob twiddling and basic, all-American wonking is the norm for much of the music on this album, Beck does dip into his folk encrusted roots from time to time, such as on the fairly straight forward 'Rowboat,' which showcases his devotion to the more traditional country infused folk idiom. Everything from the steel guitar to Beck's lonesome croon is spot on and damn near reverent. But everything is not as true to the roots as this. 'Thunder Peel' starts out like a twangy boot stomper before unraveling into a fuzz-drenched, falsetto treated skirl of gale force sludge.
'Waiting For A Train' is a bunch of recorded hoo-hah about aliens and railroad bums. It leads into 'The Spirit Moves Me,' in which Beck returns to get a fix on his country jones. 'Crystal Clear (Beer)' continues the down tempo, campfire strangeness that erratically jumps into the ping-pong electro intro of 'No Money No Honey,' which again sounds like another slice of recorded hoo-hah, this time of a busker strumming while Beck accompanies him on the chorus.
'Total Soul Future (Eat It)' is an off-key splurge that sounds like Beck coddled a grip of the Crystal Clear, detuned his guitar, and pushed 'record.' Then it's into the mutant Blues on 'One Foot In The Grave.' The harmonica is inspired, but Beck's delivery is a bit off and fully exudes a sense of off-the-cuff improv (which means that sometimes it works, but most of the time it doesn't). 'Aphid Manure Heist' is a left turn blitz that begins like a string quartet and then drifts into drunken country folk sing-a-long. The poorly recorded shenanigans continue on 'Today Has Been A F@#cked Up Day' which meanders clumsily from back room echo to banjo bravado, complete with recorder f@#k-ups and all, while 'Jagermeister Pie' is a syncopated polka fling, and 'Satan Gives Me A Taco' seems to be channeling Mojo Nixon (and predates the arena folk hubris of Tenacious D., to boot).
While there are some bona fide keepers strewn throughout Stereopathetic Soulmanure's 23 tracks ultimately deliver an extremely mixed aural bag that provides some insight into the cavernous genius of Beck. In fact the increased number of tape recorder snafus and 'off-the-cuff' spiels like 'Dead Wild Cat' tend to detract from the overall flow of the album. That said, in the end this is strictly an album for Beck diehards and lo-fi curiosity seekers only.
01. Pink Noise (Rock Me Amadeus)
Anna-bass
Rachel-drums
Tom Grimley-Recording '96
02. Rowboat
Lisa-drums
Leo LeBlanc-pedal steel
03. Thunder Peel
Dallas-drums
04. Waitin' For A Train
Ken on vocal
05. The Spirit Moves Me
Dallas-drums
Leo LeBlanc-pedal steel
06. Crystal Clear (Beer)
07. No Money No Honey
Ken on guest vocal
08. 8.6.82
09. Total Soul Future (Eat It)
Dallas-drums
Bobby Hecksher-giotar
10. One Foot In The Grave
11. Aphid Manure Heist
12. Today Has Been A Fucked Up Day
13. 'Rollins Power Sauce'
14. Puttin It Down
15. 11.6.45
16. Cut ½ Blues
Dallas-drums
Bobby-guitar
17. Jagermeister Pie
Tommy Recording
18. Ozzy
19. Dead Wild Cat
20. Satan Gave Me A Taco
Dallas-drums
Johnny Cashmachine on backup vocal
21. 8.4.82
22. Tasergun
Dallas-drums
Bobby-Co-Bassplosion
23. Modesto
Lisa-drums
Leo LeBlanc-pedal steel
Tracks 24 and 25 are unlisted, but EAC listed them as:
24. Ken
25. Bonus Noise
EXTRA BONUS:
26. Bonus Noise (Bend Over In The Clover)–-
Recorded '88-'93 U.S.A.
Recorded '88-'93 U.S.A.
Released almost immediately after Beck's first album Mellow Gold, Stereopathetic Soulmanure is a noisier record than his debut, flaunting the experimental rock influences that Mellow Gold only hinted at. For the most part, the record is a nonstop attack of noise and fragmented songs, recalling the mid-'80s records of Sonic Youth and Pussy Galore, yet the occasional pop and folk-oriented song creeps in (though none of them are as well-constructed as those on the debut or his third album, One Foot in the Grave, which followed a few months later).
I remember hearing this album way back in the mid 90s when it was originally released and I wasn’t so keen. I mean, Mellow Gold had just come out and Beck’s curious lo-fi country ramblings had not yet been cemented into my young mind. However, listening to ‘Stereopathetic Soulmanure’ now it makes more sense to me than most of Beck’s most recent output. A lazy and haphazard mix of styles, the album sounds like a collection of random taped experiments, rock, metal, blues, country and random noisy skits are thrown together with a total disregard for any kind of coherence, and this is exactly what makes it good. It’s quite funny how similar I find this stuff now to the other records we’re stocking – Fonal, Last Visible Dog, Soft Abuse, Secretly Canadian, and yet Beck is considered ‘pop’. It only takes one hit I suppose doesn’t it – and he had two biggies with ‘Loser’ and ‘Where It’s At’, so his status was cemented, and these little oddities in his backcatalogue have kept on re-surfacing ever since. If you were a little disappointed by his recent releases then check this out, Beck’s unique take on country, folk and classic rock is still endearing, and this record is a lot more than just a blast from the past.